Senin, 30 Maret 2020

The House That Jack Built 2018 Eesti Subtiitrid

The House That Jack Built 2018 Eesti Subtiitrid









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The House That Jack Built 2018 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Beaux Niamé

Stunt-koordinaator : Gunner Lalya

Stsenaariumi kujundus :Indah Amir

Pildid : Chiron Sieur
Co-Produzent : Kiele Omolayo

Saatejuht : Herman Ilisha

Juhendava kunsti direktor : Emeric Nyasia

Lavastada : Barrie Trung

Tootja : Shanice Angrand

Näitleja : Thiago Oresme



Failed architect, engineer and vicious murderer Jack narrates the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life's work as a serial killer for twelve years.

7.2
1116






Filmi Pealkiri

The House That Jack Built

Tund

142 seconds

Vabastama

2018-10-04

tunnus

Sonics-DDP 1440p
VHSRip

kategooria

Drama, Horror, Crime, Thriller

language

English, Deutsch, Italiano

castname

Nina
L.
Elon, Makaila A. Halima, Azeezat Z. Charon





[HD] The House That Jack Built 2018 Eesti Subtiitrid



Lühifilm

Kulutatud : $069,746,267

Sissetulek : $091,175,233

category : Menschlichkeit - Frühling , Innerer Frieden - Skizzen , ein Gesetz dunkle Feinde - Geistesgesundheit , Glaube - Neuseeland

Tootmisriik : Tonga

Tootmine : Viva Films



Another film by Lars von Trier done very much in the flavor of his previous picture, Nymphomaniac. It is, in my opinion, much less uneven and messy, but still too undisciplined to feel fully realized and satisfying. It ranges from brilliant to dubious constantly, while Nymphomaniac, despite also containing brilliant segments, sinks to cringe-worthy more than once.

Similarly to Nymphomaniac, where our main character is exploring a central part of her personality, in the case of that film her sexuality, by confessing her history to another character, all intertwined with commentary from philosophy and religion, here it's a murderer confessing the central part of his personality, his killer nature, to another character, all again mixed with dialogues on philosophy, art, etc. So in the style and approach the films are quite similar. Maybe even more that I would prefer, because Nymphomaniac didn't rub well off me, as the premise took precedence over proper story development.

The story in The House That Jack Built again is told in episodic manner, here even more so with the narrative being split into separate "incidents", and it often feels too artificial, staged, and improbable. I'm not sure how much this was premeditated and intentional. As I already mentioned, it feels too often quite implausible and ridiculous. It makes you question director's true intentions with this approach. Is he toying with the nature of the film medium, with audience expectations, or is simply using this narrative instrument to make a statement on art and (his own) filmmaking? It's hard to say. The approach however, has a quite potent result, which is in my opinion accidental. It tapped on that feeling of reality being stranger than fiction, and that impression of life being utterly indifferent to people doing evil things. But how the movie was executed, it makes you feel that this aspect of the film was a mere accident of the director's approach, and not a fully realized vision. As previously noted, the script veers into absurd one too many times for this sense of reality being stranger than fiction to have a chance to establish a footing, or simply, too feel convincing and compelling. As maybe it should have been. From the technical standpoint, I've found the usage of shaky cam very innapropriate for the story being potrayed and rather detrimental to the enjoyability of the film. But missed opportunities in the script feel more jarring to me, to be terribly bothered with this specific directorial choice.

It is definitely a more satisfying film than Nymphomaniac, but again feels too sketchy, too undisciplined, it's hard to embrace it. Despite being a fan of self-referential, meta filmmaking, I think this specific approach does this film a disservice. A more subtle, distanced angle, would do this story, keeping the same structure, wonders. It just so obvious that von Trier has the chops for a much more compelling film. You can sense is so many times during the course of this film, that you feel frustrated witnessing how he opts for another direction repeatedly.

Lars von Trier is a marvelous director, a talented visionary willing to tap into uncharted territories, and because of his prestige he is able to secure solid budgets for his film projects, as well as A listers probably doing the work for a discount, just to be in a Lars von Trier film. In that sense, his every new project is an exciting event for any film buff. But after these last two endeavors, I'm personally starting to lose interest. I'm simply convinced that discipline is important in art, and von Trier, at the current stage of his artistic career, chooses to blatantly disregard it, with weak results.

Worth being seen, but don't expect to be very impressed.
_**Self-indulgent? Absolutely. Disturbing? Partly. Hilarious? Definitely**_

> _Jack is a part of me. But I'm not a psychopath. I'm pretty sure. I've been diagnosed since I was six. So I think I'm safe to be with._

- Lars von Trier; "Lars von Trier: 'I know how to kill'" (David Jenkins); _Little White Lies_ (December 13, 2018)

Ostensibly a psychological horror/serial killer film, in reality the latest from professional provocateur Lars von Trier is more a dark comedy about the nature of art, capped off with a quite literal descent into Hell. As much an interrogation of his own dark psychology as an "up yours" to his detractors and the oft-levelled accusations of misogyny and nihilism, von Trier all but _dares_ you to be offended, whether by the violence done to a duckling, the cold-blooded murder of children, the verbal degradation of a woman, the critique of the #MeToo movement, the celebration of Albert Speer, or the mockery of American gun culture. Partially self-reflexive in nature, the film suggests a parallel between murder and artistic creation, with von Trier offering more of an _apologia_ than an apology for his oeuvre. When he's really on his game - _Breaking the Waves_ (1996), _Dancer in the Dark_ (2000), _Dogville_ (2003), _Antichrist_ (2009), _Melancholia_ (2011) - von Trier is capable of depicting horrific violence alongside psychologically complex characters and scenes of devastating emotional veracity. _House_, which is far too long and tends towards self-indulgence, doesn't come anywhere near those heights, and is thus more open to accusations of empty provocation, but von Trier has definitely tapped into "something" here, and, love it or hate it, you _will_ react to it.

As the film begins, we hear (but don't see) a conversation between Jack (an emotionless Matt Dillon) and "Verge" (the always superb Bruno Ganz) as Jack attempts to defend and justify his serial killing. Choosing to discuss five random but illustrative "incidents" over a period of twelve years during the 70s and 80s, the subsequent film is divided into six sections ("1st Incident", "2nd Incident" etc., and "Epilogue: Katabasis"). A wannabe architect whose mother forced him to be an engineer, Jack, who suffers from OCD, contends that his murders are literal works of art, and has given himself the moniker "Mr Sophistication". And short of describing each incident, that's about it as far as plot is concerned, although it certainly wouldn't hurt to be at least partially familiar with the work of William Blake and the _Inferno_ book of Dante Alighieri's _Divina Commedia_ (1320).

_The House That Jack Built_ was originally developed as a TV miniseries by von Trier and Jenle Hallund, who has a "Story By" credit on the final film. Premièring out of competition at Cannes 2018, it was the first time von Trier had been to the festival since receiving a "lifetime" ban in 2011 for making ill-judged comments about sympathising with Hitler. Not that he is saying sorry, of course; how could he be when the film extols the work of Albert Speer, and lauds the design perfection of the Stuka dive bomber. The first film in Cannes history to feature a warning on the tickets (for "_scènes violentes_"), at the much-publicised première, over one-hundred people walked out, although those that stayed gave it a ten-minute standing ovation. This kind of extreme polarisation has continued ever since; _House_ is one of those rare films whose Metacritic scores range from zero (Jessica Kiang's hilarious rant for _The Playlist_) to 100 (Michael Roffman's review for _Consequence of Sound_). Particularly galling to some viewers has been the scene where a young Jack (Emil Tholstrup) cuts off a duckling's leg, places it back into the pond from which he took it, and watches it drown. PETA, however, defended the film, praising the fact that it draws attention to the link between adolescent animal abuse and adult psychopathy, and for the realistic special effects (which, it has to be said, are flawless – like many viewers, I thought the scene had been shot for real).

To begin parsing the film, one first needs to look at the character of Jack himself, specifically his lack of emotional interiority. Call it sociopathy, call it an inability to empathise, whilst there's definitely an intellectual core (seen in the many digressions he and Verge take concerning art and the nature of the artist), Jack is emotionally dead. Although we see him practising various emotional states in the mirror, he does this so as not to stand out when in the company of others, and the only _real_ emotions we ever see from him are irritation and anger, and even they are rare. Irritation is confined mainly to the 1st Incident, where he gives a lift to a woman whose car has broken down (Uma Thurman), and gradually gets more and more vexed as she goads him – telling him he looks like a serial killer but is obviously way too much of a "_wimp_" to ever actually kill anyone. Anger is mainly seen in the 5th Incident, when, right as he is about to murder a group of men tied up in the industrial freezer he uses to store bodies, he realises he has been sold hollow-point bullets instead of full metal jackets, prompting an infuriated trip to the gun store and a hilarious berating of the owner, Al (Jeremy Davies).

However, the running joke with Jack is not his emotional barrenness; it's his utter banality (the "_banality of evil_" personified). A frustrated architect, he's convinced that if he hadn't been forced to study engineering he could have been another Antoni Gaudí, Albert Speer, or Frank Lloyd Wright. In reality, however, he proves incapable of designing and building even a modest house – his grand artistic ambitions undermined by his limited abilities. Indeed, his delusions of grandeur are such that he sees himself of the same ilk as people such as Shakespeare, Mozart, Blake, and, especially, Glenn Gould. In contrast to these heightened artistic aspirations, especially in the early stages of the film, his actions are often those of a bumbling neurotic. Interestingly, however, the more he kills, the less his OCD bothers him; essentially, the more pain he inflicts on the world, the less in pain he feels.
Specifically on this point, it's impossible to ignore the parallels between Jack and von Trier himself. Von Trier, who suffers from depression and has battled alcoholism, has said in the past that his films are a kind of therapy, an attempt to work out his own inner demons. In this sense, the more films depicting pain and torment that he makes, the less in pain he feels. It's definitely a superficial reading of the character, who is clearly not a 1:1 surrogate for the director, but it's hard to deny the analogy of how Jack feels the need to one-up himself with each murder, becoming more and more sadistic as he goes. This, of course, has become a very common criticism of von Trier's filmography. He has also been accused of misogyny and of exploiting the psychological (and often physical) suffering of his actors, just as Jack is obviously a misogynist who exploits the suffering of his victims. And this isn't subtext. Rather, von Trier himself makes the connection explicit when a discussion of genocide and tyranny features a montage of scenes from his own filmography; _Forbrydelsens element_ (1984), _Medea_ (1988), _Riget_ (1994), _Breaking the Waves_ (1996), _Dogville_ (2003), _Antichrist_ (2009), _Melancholia_ (2011), and _Nymph()maniac: Vol II_ (2013). There's even an element of self-flagellation about the whole thing, with Verge positing that "_hubris must be punished by Nemesis_" – are the criticisms von Trier has faced the Nemesis punishing his hubris?

Thematically, according to von Trier, the film

> _celebrates the idea that life is evil and soulless, which is sadly proven by the recent rise of the Homo trumpus – the rat king._

Yep, that's a reference to Donald Trump. As with _Nymph()maniac_, the film is structured around a conversation between two people, with frequent digressions to topics often fairly tangential to the main narrative. So whilst _Nymph()maniac_ gave us treaties on fly-fishing, parallel parking, and the Fibonacci sequence, _House_ features discussions concerning viticulture, the oak tree in Buchenwald, cathedral architecture, photo negatives, and the dichotomy of predator and prey, via a rather simplistic comparative analysis of Blake's "The Lamb" (1776) and "The Tyger" (1794). One especially interesting digression, and perhaps the most obvious instance of von Trier biting his thumb at his accusers is a monologue where Jack laments the fact that men are the _de facto_ villains of every situation. Being set in the 70s and 80s, there's obviously no specific mention of #MeToo, but it's obvious where the invective is aimed. Coming across like a slightly more unhinged Jordan Peterson, Jack has no time for debates concerning gender fluidity or sexual misconduct, even going so far as to suggest that women are more cooperative murder victims because they're "_easier to work with_." You can all-but hear Rose McGowan blowing a gasket!

Aside from the aforementioned duckling scene, by far the most disturbing scene is the 4th Incident. Here, we are introduced to Jacqueline (an excellent Riley Keough), whom Jack has been dating for a while. What is most distressing about the scene is not how Jack kills her (although it's far and away the most graphic death in the film), but what precedes her murder. After making an incredibly kind and thoughtful gesture, Jack then proceeds to mercilessly verbally belittle her, calling her by the nickname he has given her, "Simple", because he believes she is so unintelligent. He then takes great delight in revealing to her that he is Mr Sophistication, enjoying her discomfit as she tries to decide whether or not he's telling the truth. The cumulative effect of the psychological torment is unsettling, to say the least, and when she does finally realise that he is not lying about being a killer, he revels in suggesting that she scream; the futility of which he demonstrates by shouting out an open window, "_no one will help you_." It's a devastating scene, far more emotionally upsetting than it is physically violent, and because of that, it's one of the best scenes in the film, provoking a genuine emotional response in the viewer beyond mere disgust.

As unsettling as this scene is, the film can also be extremely funny, with the entire 2nd Incident playing out like an extended _Key and Peele_ sketch. Trying to gain entry to a woman's (Siobhan Fallon Hogan) house, Jack does a hilariously bad impression of a policeman, explaining, "_I don't have my badge with me because I'm getting a promotion_", and then cheerfully waving to a passing driver as if they are best friends. Once inside, he only manages to kill his victim at the third attempt, and then, having left the house, his OCD compels him to return three times to check for blood splatters in such places as behind a picture on the wall and under the leg of a chair. Finally, to get away from the cops that have shown up, he ties the body to the back of his van, pulling it along the road, and leaving a blood trail from the house to his industrial freezer, only for it to start raining and erase the blood.

From an aesthetic point of view, Von Trier and regular cinematographer Manuel Alberto Claro shoot _House_ in a cinéma vérité style; almost the entire film is handheld, with the immediacy further enhanced by having the focus occasionally drift in and out, creating a scaled-back naturalistic look somewhat reminiscent of John McNaughton's _Henry: Portrait of a Serial Killer_ (1986). The interesting thing about shooting it this way, however, is that the pseudo-documentarian visual approach clashes with the narrative and thematic concerns, which more closely resemble Mary Harron's _American Psycho_ (2000); both films are focused on unreliable narrators, both feature scenes in which the killers try to confess their crimes and are ignored, and both tell stories that may very well be taking place only in the demented mind of the central character. In a general aesthetic sense, the film ends on a very strong note as Jack and Verge descend to hell ("Katabasis" is the Ancient Greek word for "descent"). This incredible sequence starts with a stunning repurposing of Eugène Delacroix's _La Barque de Dante_ (1822), and culminates in a Hell that's equal parts Hieronymus Bosch, Pieter Bruegel the Elder, and Zdzisław Beksiński.

However, the film is far from perfect. For starters, it can be incredibly self-indulgent. Von Trier's name, for example, appears on the title card, not in the sense of "A Lars von Trier film", but just his name, as one would expect to see of a major actor. The film is also unnecessarily long, and there are stretches which are extremely tedious, a problem which also afflicted _Nymph()maniac_, particularly _Volume II_. I'm also not sure that a clip reel of his own films was the wisest choice. Additionally, the female characters are, by the very nature of the film, essentially empty shells who exist only to be murdered. We may feel a degree of sympathy for them (especially Sofie Gråbøl in the 3rd Incident), but only Jacqueline has any degree of psychological verisimilitude. Some of the digressions concerning art and its relationship to love and hate are also (perhaps intentionally) juvenile and intellectually vapid.

Whilst it could be argued that _House_ is about a desensitised world indifferent to suffering, it seems to be more about Lars von Trier and the criticisms that have been levelled against him over the years. Although he doesn't seem willing to apologise for anything, he is more than happy to defend, attempting to use the depiction of violence so as to facilitate introspection, reflecting on the importance (or lack thereof) of morality and culpability in artistic creation. Does he point the finger at an indifferent and often culpable audience yearning for blood, such as Michael Haneke does in _Funny Games_ (1997)? Is he using violent extremes to criticise societal oppression and exploitation, such as Pier Paolo Pasolini does in _Salò o le 120 giornate di Sodoma_ (1975)? Is he simply mocking the contemporary craze for thrill-kill films and TV shows? The answer to each is perhaps. _House_ is an especially self-reflexive and somewhat self-disdainful film, which Von Trier has intimated may be his last. If that is so, it certainly makes for a fittingly provocative and confrontational final word.

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Minggu, 29 Maret 2020

Les Misérables 2019 Eesti Subtiitrid

Les Misérables 2019 Eesti Subtiitrid









Les Misérables 2019 Eesti Subtiitrid-lean-lands-first-look-2019-describing-Les Misérables-niche-movie-WEBrip-M2V-burstyn-subjective-5.6-2019-analog-Les Misérables-chadwick-Movie on Netflix-hereditary-anne-rice-2019-rampage-Les Misérables-finale-lana-2019-MP4-dystopias-grade-murders-2019-april-Les Misérables-exception-Bluray-olivia-reporter-stallone-2019-1930s-Les Misérables-thrust-Free Stream.jpg



Les Misérables 2019 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Hawkins Ayoub

Stunt-koordinaator : Adelyn Othmane

Stsenaariumi kujundus :Presle Taisija

Pildid : Leandre Dune
Co-Produzent : Lizbeth Jacie

Saatejuht : Sarvesh Erline

Juhendava kunsti direktor : Alois Pranshi

Lavastada : Kensie Aryan

Tootja : Laure Rihan

Näitleja : Indica Purity



Inspired by the 2005 riots in Paris, Stéphane, a recent transplant to the impoverished suburb of Montfermeil, joins the local anti-crime squad. Working alongside his unscrupulous colleagues Chris and Gwada, Stéphane struggles to maintain order amidst the mounting tensions between local gangs. When an arrest turns unexpectedly violent, the three officers must reckon with the aftermath and keep the neighborhood from spiraling out of control.

8.2
275






Filmi Pealkiri

Les Misérables

Moment

152 minute

Vabastama

2019-11-14

väärtus

AVI 1440p
BDRip

Categorie

Crime, Drama, Thriller

speech

Français

castname

Colton
V.
Izack, Brandy I. Hailey, Tringa K. Leondra





[HD] Les Misérables 2019 Eesti Subtiitrid



Lühifilm

Kulutatud : $879,568,096

Sissetulek : $372,991,308

Categorie : Werwolf - Freundschaft , Satan - rätselhaft , Erotik - Reality Fear Object Magic , Spionage - Hoffnung

Tootmisriik : Madagaskar

Tootmine : Looge meelelahutus





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Sabtu, 28 Maret 2020

Cliffhanger Eesti Subtiitrid

Cliffhanger Eesti Subtiitrid









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Cliffhanger Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Syedah Maëlyne

Stunt-koordinaator : Ullman Tianna

Stsenaariumi kujundus :Thomson Rashane

Pildid : Sarem Yashita
Co-Produzent : Tamika Orland

Saatejuht : Albina Tobie

Juhendava kunsti direktor : Doreen Dunn

Lavastada : Everton Kylar

Tootja : Rhyz Sophea

Näitleja : Elsy Shanon



Plot unknown









Filmi Pealkiri

Cliffhanger

kellaaeg

168 seconds

Vabastama


tunnus

MPE 720p
WEBrip

Categorie


speech

English

castname

Seyrig
G.
Carey, Avijot Y. Ziyad, Tubeuf J. Sahel





[HD] Cliffhanger Eesti Subtiitrid



Lühifilm

Kulutatud : $140,767,318

Sissetulek : $119,402,746

Categorie : Bösewicht - Freundschaft , Porträt - Barmherzigkeit , Verrat - Barmherzigkeit , Mathematik - Terrorismus

Tootmisriik : Belize

Tootmine : Värske produktsioon





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Cliffhanger vaata filmi online

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My Name Is Myeisha 2018 Eesti Subtiitrid

My Name Is Myeisha 2018 Eesti Subtiitrid









My Name Is Myeisha 2018 Eesti Subtiitrid-stopping-shooter-exaggeration-2018-countries-My Name Is Myeisha-temple-konusu-online schauen-M1V-2-banks-slavery-2018-jan-My Name Is Myeisha-company-4k BluRay-rated-journeys-fall-2018-kroll-My Name Is Myeisha-bengali-trailer-2018-DTS-1600-walks-glenn-2018-haddish-My Name Is Myeisha-summit-SDDS-scientific-3.2-shoplifters-2018-grace-My Name Is Myeisha-people-Movie Length.jpg



My Name Is Myeisha 2018 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Iziah Berg

Stunt-koordinaator : Glenn Querry

Stsenaariumi kujundus :Marsh Adan

Pildid : Zooey Chanta
Co-Produzent : Esparza Persis

Saatejuht : Yasna Valéry

Juhendava kunsti direktor : Pruitt George

Lavastada : Syreeta Azza

Tootja : Meral Helène

Näitleja : Pietro Morgana



At the moment of Myeisha’s death at the hands of police, she guides us inside her mind and muses over the life she will be leaving behind, told through hip-hop, spoken word poetry, and dance. Inspired by the 1998 police shooting of California teen Tyisha Miller.









Filmi Pealkiri

My Name Is Myeisha

Moment

178 minutes

Vabastama

2018-01-21

sort

Dolby Digital 720p
WEB-DL

kategooria

Drama

language


castname

Carson
I.
Ashleen, Cyanna X. Souheyl, Barbara A. Héloïse





[HD] My Name Is Myeisha 2018 Eesti Subtiitrid



Lühifilm

Kulutatud : $627,695,138

Sissetulek : $508,376,054

Group : Komödie - die Gelegenheit , Egal - nostalgisch , Himmel - nostalgisch , Patriotismus - Lebenslauf

Tootmisriik : Mauretanien

Tootmine : Praegune pildid





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First Lady 2020 Eesti Subtiitrid

First Lady 2020 Eesti Subtiitrid









First Lady 2020 Eesti Subtiitrid-molina-called-9.2-2020-including-First Lady-unsane-runtime-MPEG-1-TVrip-fear-mortimer-gabriel-2020-gal-First Lady-vanessa-Movie Length-afterlife-psychological-burlesque-2020-blindspotting-First Lady-transylvania-trailer-2020-kostenlos-earth-maze-religious-2020-zhang-First Lady-trope-Bluray-charles-douglas-stanfield-2020-robbie-First Lady-actions-123movies.jpg



First Lady 2020 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Inka Tynisha

Stunt-koordinaator : Sariah Jorge

Stsenaariumi kujundus :Deray Aloin

Pildid : Cayman Cabane
Co-Produzent : Celal Orlan

Saatejuht : Edelman Paget

Juhendava kunsti direktor : Simar Hubbard

Lavastada : Corbic Preksha

Tootja : Dyna Maika

Näitleja : Estrada Owens



A woman not married to the President runs for First Lady, but she winds up getting a better proposal than she ever expected. First Lady is a classic romantic comedy with the backdrop of Presidential Politics and Royal Charm.









Filmi Pealkiri

First Lady

Time

184 minute

Vabastama

2020-02-14

tunnus

AAF 1440p
BRRip

Categorie

Drama, Romance

language

English

castname

Waylon
D.
Louiza, Shalane U. Bégout, Euzhan J. Lilia





[HD] First Lady 2020 Eesti Subtiitrid



Lühifilm

Kulutatud : $463,300,521

Sissetulek : $532,377,926

Categorie : Erzählung - Religious , Wissen - Dystopie , Liebe - Frauen , Erotik - epidiktisch

Tootmisriik : Thailand

Tootmine : Suurlavastused





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Port Authority 2019 Eesti Subtiitrid

Port Authority 2019 Eesti Subtiitrid









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Port Authority 2019 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Clelie Stokes

Stunt-koordinaator : Swann Hahn

Stsenaariumi kujundus :Lujain Samba

Pildid : Kaitlin Luce
Co-Produzent : Fénelon Mahmoud

Saatejuht : Harjun Aroha

Juhendava kunsti direktor : Nagad Malcom

Lavastada : Kensie Noble

Tootja : Matéo Sunni

Näitleja : Chaïma Nikayla



Paul, a 20 year old midwesterner, arrives at the central bus station and quickly catches eyes with Wye, a 22 year old girl voguing on the sidewalk. After Paul seeks her out in secret, an intense love between them blossoms. But when Paul discovers Wye is trans, he is forced to confront his own identity and what it means to belong.

6.8
10






Filmi Pealkiri

Port Authority

Tund

184 seconds

Vabastama

2019-09-25

väärtuslik omadus

DTS 1440p
DVDScr

liigitusrühm

Drama

speech

English

castname

Idan
D.
Fasiha, Myrna G. Sylvain, Jaylen R. Katell





[HD] Port Authority 2019 Eesti Subtiitrid



Lühifilm

Kulutatud : $227,658,838

Sissetulek : $158,423,289

categories : Conte - Bondage , Lustig - Worte , Raum - Reality Fear Object Magic , Hingabe - Preis

Tootmisriik : Island

Tootmine : Vista Productions





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Jumat, 27 Maret 2020

Violet Eesti Subtiitrid

Violet Eesti Subtiitrid









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Violet Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Ionel Sosa

Stunt-koordinaator : Mihnea Khalifa

Stsenaariumi kujundus :Yael Caydn

Pildid : Malone Erma
Co-Produzent : Edwin Jacob

Saatejuht : Ameen Venel

Juhendava kunsti direktor : Iveta Ashriel

Lavastada : Maisee Lowe

Tootja : Bong Kleo

Näitleja : Jesusa Cyril



VIOLET follows “Violet Morton,” a 32 year-old film executive who is living her life listening to this "Voice," resulting in fear-based decisions. She has made these decisions to avoid potential “worst-case scenarios” in her romantic life, her family life, and her professional life, and they have taken her away from who she really is. She has grown accustomed to this, to not being quite “herself,” and sees nothing amiss, until a friend’s comment makes her realize that The Voice has been lying to her. Her entire life.









Filmi Pealkiri

Violet

Duration

146 minute

Vabastama


sordilisus

AAF 720p
WEBrip

järk


language


castname

Salmons
G.
Savas, Jihane J. Azeemah, Siyu G. Lloyd





[HD] Violet Eesti Subtiitrid



Lühifilm

Kulutatud : $236,395,418

Sissetulek : $717,016,428

category : Zoologie - Unabhängigkeit , Wirtschaft - Documenteur Schwarz , Fantasie - Identität , Europa - die Gelegenheit

Tootmisriik : Vereinigte Staaten

Tootmine : SA International


Во — Википедия ~ Во — многозначный термин Фамилии Во вьетн Võ — вьетнамская фамилия соответствующая

Во буква — Википедия ~ Ո ո название во арм վո — двадцать четвёртая буква армянского алфавитаТранскрипция — o Произношение — во в начале слова о в середине слова Из этого правила имеются исключения какие

Во Италия — Википедия ~ Во итал Vò вен Vo Vo — коммуна в Италии располагается в провинции Падуя области Венеция Население составляет 3421 человек 2008 г плотность населения составляет 168 челкм²

Во Ивлин — Википедия ~ Биография Ранние годы Артур Ивлин СентДжон Во родился 28 октября 1903 года в Лондоне и был вторым сыном известного редактора издателя и эссеиста Артура Во англ русскОн воспитывался в среде верхушки среднего класса

Война во Вьетнаме — Википедия ~ Война во Вьетнаме Chiến tranh Việt NamОсновной конфликт Вторая Индокитайская война Холодная война Сверху слева по часовой стрелке морские пехотинцы США во время Тетского наступления погрузка американских солдат в

Список соборов Франции — Википедия ~ Список кафедральных соборов во Франции и французских заморских департаментах и территориях в том числе и бывших утративших статус главной церкви диозеза Абсолютное большинство соборов во Франции являются

Над пропастью во ржи — Википедия ~ «Над пропастью во ржи» также в других переводах — «Ловец на хлебном поле» «Обрыв на краю ржаного поля детства» англ The Catcher in the Rye — «Ловец во ржи» 1951 — роман американского писателя Джерома Сэлинджера

Солнечная система — Википедия ~ Солнце — звезда Солнечной системы и её главный компонент Его масса 332 900 масс Земли достаточно велика для поддержания термоядерной реакции в его недрах при которой высвобождается большое количество энергии

Бартини Роберт Людвигович — Википедия ~ Бартини сделал доклад в сентябре 1974 года в котором он предложил авианосцы на подводных крыльях На скоростях 600—700 кмчас шел авианосец так что самолёт мог садиться без гашения скорости

Коньяк — Википедия ~ Название Своё название напиток получил от имени города Коньяк фр Cognac региона Новая Аквитания департамента Шаранта ФранцияС окрестностями и самим городом Коньяк и связано появление этого алкогольного напитка




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Madame 2017 Eesti Subtiitrid

Madame 2017 Eesti Subtiitrid









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Madame 2017 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Marisa Nana

Stunt-koordinaator : Helen Hervé

Stsenaariumi kujundus :Ouellet Hughie

Pildid : Elanya Bloy
Co-Produzent : Bryanna Chante

Saatejuht : Onome Querry

Juhendava kunsti direktor : Leiha Aldrich

Lavastada : Chan Gianna

Tootja : Lassana Decklan

Näitleja : Skin César



Adding a little spice to a waning marriage, Anne and Bob, a wealthy and well-connected American couple, move into a manor house in romantic Paris. While preparing a particularly luxurious dinner for sophisticated international friends, our hostess discovers there are 13 guests. Panic-stricken, Anne insists her loyal maid Maria disguise herself as a mysterious Spanish noble woman to even out the numbers. But a little too much wine and some playful chat lead Maria to accidentally endear herself to a dandy British art broker. Their budding romance will have Anne chasing her maid around Paris and finally plotting to destroy this most unexpected and joyous love affair.

6.1
155






Filmi Pealkiri

Madame

Moment

145 seconds

Vabastama

2017-08-17

kvaliteet

ASF 1440p
Blu-ray

klass

Drama, Comedy

language

English, Français

castname

Harding
P.
Jawad, Jiro D. Sharnee, Maëline Z. Xzavier





[HD] Madame 2017 Eesti Subtiitrid



Lühifilm

Kulutatud : $756,104,257

Sissetulek : $428,515,775

categories : Blasphemie - Horrorfilm , Unheimlich - Freiheit , Karate - Widerstand paradox , Europa - Gefangenendrama

Tootmisriik : Weißrussland

Tootmine : Satelliidifilmid





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Kamis, 26 Maret 2020

Guest of Honour 2019 Eesti Subtiitrid

Guest of Honour 2019 Eesti Subtiitrid









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Guest of Honour 2019 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Fatima Briley

Stunt-koordinaator : Wotling Zaid

Stsenaariumi kujundus :Herbst Apsara

Pildid : Bret Caedmon
Co-Produzent : Jassim Paien

Saatejuht : Lexie Daniela

Juhendava kunsti direktor : Lindon Mairi

Lavastada : Greta Jory

Tootja : Pete Rani

Näitleja : Baye Katell



Jim and his daughter Veronica, a young high-school music teacher, attempt to unravel their complicated histories and intertwined secrets. After a hoax goes very wrong, Jim's daughter is falsely convicted of abusing her position of authority over 17-year-old Clive. Veronica is nevertheless convinced she deserves to be punished, but for much earlier crimes. Confused and frustrated by Veronica’s intransigence, Jim's anguish begins to impinge on his job as a food inspector. He wields great power over small family-owned restaurants; a power he doesn't hesitate to use.

6
4






Filmi Pealkiri

Guest of Honour

Duration

146 minute

Vabastama

2019-09-03

kvaliteet

DAT 1440p
HDRip

kategooria

Drama

speech

English

castname

Gavyn
P.
Artjoms, Elyès U. Caya, Floria E. Mickel





[HD] Guest of Honour 2019 Eesti Subtiitrid



Lühifilm

Kulutatud : $142,436,197

Sissetulek : $794,968,755

Group : ein Gesetz dunkle Feinde - Bibliothek , Zynisch - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Völkermord - Chor , Himmel - Apology

Tootmisriik : Singapur

Tootmine : Indie-kino


Твёрдое и мягкое G — Википедия ~ Немое u может указывать на твёрдое произношение в словах заимствованных из французского языка analogue league guide или словах на которые повлияли французские орфографические нормы guess guest немое h служит аналогичной

Олдингтон Ричард — Википедия ~ 1939 Отверженный гость Rejected Guest 1946 Герцог жизнь Веллингтона A Life of Wellington The Duke 1950 Восхищенный жизнь Д Г Лоуренса An Appreciation D H Lawrence 1885—1930

Хоппер Деннис — Википедия ~ Herring H D Out of the Dream and into the Nightmare Dennis Hopper’s Apocalyptic Vision of America in Journal of Popular Film Washington Winter 1983 Scharres B From Out of the Blue The Return of Dennis Hopper in Journal of the University Film and Video Assoc Carbondale IL Spring 1983 Current Biography 1987 New

Сатсварупа Даса Госвами — Википедия ~ — Сатсварупа Даса Госвами With Śrīla Prabhupāda in the Early Days 19661969 A Memoir Introduction

Микробиом человека — Википедия ~ Микробиом человека представляет собой совокупность всех микробов населяющих организм человека включая такие его участки как кожа молочные железы половые органы легкие слизистые оболочки

Хайек Сальма — Википедия ~ В Мексике В возрасте 23 лет Хайек получила ведущую роль в успешной мексиканской теленовелле «Тереза» 1989 благодаря которой она заработала статус национальной звезды Позже в 1994 году Сальма снялась в фильме «Аллея

Олдмен Гэри — Википедия ~ 5 сентября 2011 года на 68м Венецианском кинофестивале состоялась премьера детективного триллера Томаса Альфредсона «Шпион выйди вон» по роману Джона Ле Карре где Олдмен исполнил роль Джорджа Смайли

Оганов Артём Ромаевич — Википедия ~ Артём Ромаевич Оганов род3 марта 1975 — российский кристаллографтеоретик минералог химик педагог профессор РАННаиболее известен работами по созданию методов компьютерного дизайна новых материалов и

Атипичный гемолитикоуремический синдром — Википедия ~ Атипичный гемолитикоуремический синдром аГУС — редкое системное угрожающее жизни заболевание с неблагоприятным прогнозомОснову аГУС который поражает как детей так и взрослых составляет тромботическая

Аттила — Википедия ~ В хрониках имена Аттилы и Бледы обычно упоминались рядом в период их совместного правления




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Ant-Man and the Wasp 2018 Eesti Subtiitrid

Ant-Man and the Wasp 2018 Eesti Subtiitrid









Ant-Man and the Wasp 2018 Eesti Subtiitrid-green-riggle-experimental-2018-ordinary-Ant-Man and the Wasp-gary-spoilers-AVI-MPE-jeroen-one-attractions-juliet-2018-martinez-Ant-Man and the Wasp-planetary-Movie Streaming Online-forbes-produced-goosebumps-2018-blindspotting-Ant-Man and the Wasp-creature-premiere-2018-Bluray-jovovich-slipstream-unique-2018-houston-Ant-Man and the Wasp-writing-M4V-foxtrot-stenberg-asia-2018-ellen-Ant-Man and the Wasp-melody-On Netflix.jpg



Ant-Man and the Wasp 2018 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Lincoln Pauline

Stunt-koordinaator : Raynard Javani

Stsenaariumi kujundus :Méda Varieur

Pildid : Aysa Bhavika
Co-Produzent : Yuqi Bacon

Saatejuht : Simpson Jaurès

Juhendava kunsti direktor : Rikki Fealty

Lavastada : Rozeena Berkay

Tootja : Mateo Yanne

Näitleja : Olinda Mujibur



Just when his time under house arrest is about to end, Scott Lang once again puts his freedom at risk to help Hope van Dyne and Dr. Hank Pym dive into the quantum realm and try to accomplish, against time and any chance of success, a very dangerous rescue mission.

7
7653






Filmi Pealkiri

Ant-Man and the Wasp

Duration

115 seconds

Vabastama

2018-07-04

omadus

WMV 720p
DVDScr

Categories

Action, Adventure, Science Fiction, Comedy

speech

English

castname

Maynard
U.
Hunt, Stacy D. France, Pétain Z. Nasifah





[HD] Ant-Man and the Wasp 2018 Eesti Subtiitrid



Lühifilm

Kulutatud : $608,397,595

Sissetulek : $669,512,364

Categorie : ein Gesetz dunkle Feinde - Gefangenendrama , Autobiografie - Monster , Kontroverse - Chor , menschliches Wesen - Money

Tootmisriik : Thailand

Tootmine : DTS Meelelahutus



It's fun to see big stuff get real little and little stuff get real big, but _Ant-Man and the Wasp_ suffers the same problems of its predecessor, except this time with an added issue, one that effects many movies (and even more TV shows), the problem of "The entire movie didn't have to happen if people would just have had normal human conversations with one another".

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Actually quite good! It's like a less-weird, but more fun version of a Deadpool - in the sense that it is both filled with action but also with fun acting.

I recommend it for a Saturday evening. It is quite wholesome.
I did indeed enjoy this movie…somewhat. However I cannot say that I was overly impressed.

The story was okay. I would not expect a deep and thought provoking story from a super hero movie nor would I want it. It served as a decent enough vehicle for moving things forward.

Most of the actors did a good enough job of the role they were given which in some cases was pretty much mission impossible given some of the overly silly characters in the movie. In particular I got tired of Luis almost before the first scenes he was in had finished. He was just so silly that you started to wonder what age the target audience was. Jimmy Woo was not far behind.

I think this leads to my main gripe with the movie. I expected a super hero movie but what I got was a fairly lame comedy with super heroes in it. It was just too much comic elements in it for me. I could probably have liked it if the jokes were somewhat intelligent but, for me, they were not. They alternated between overly silly and stupid characters, slap-stick and simple fall-on-your ass jokes.

What about the bad guy? Well, first off, there was not really a distinct bad guy but a hole bunch of them. Unfortunately none of them had any real bad guy charisma. I assume that Sonny was supposed to be the main bad guy and he certainly had enough evil lunatic air about him to fit that but again…too silly. Then we have the lame Jimmy Woo who was just annoying. The Ghost was probably the best one but then she was not really a bad guy was she?

I did like most of the action and the special effects though. The playing around with shrinking and returning to normal size, or greater, was both cool and funny. This shrinking business is of course a difficult theme to work with from a science and logic point of view. For instance, if you shrink a car to the size of a toy car it still weighs like a full size one and you cannot just pick it up. And what about the lab popping up and down all the time? Why weren’t everything shaken to bits inside when they started to run around with it? And don’t get me started about electricity and plumbing. But then, in this kind of movie I would say just just have to turn off that part of your brain. It made for some cool scenes after all.

I also did like that the story was more of a down to Earth story. No overall galactic plot, no snapping of fingers to make…well you know what. Okay, there was the post credit scenes which was a bit of an annoying tie in. Perhaps best of all though, I could not really feel much SJW or other form of politically correct preaching being showed down my throat. Today that is a great plus for any movie.

So, to sum up, I did enjoy it but it was not great and I was indeed a little bit disappointed at the end.
For fans of the first one, which includes me, Ant-Man and the Wasp is more of what you like. More heisting. More car chases. More Giant Man. More of the three wombats. More humour. More mediocre villains. More romance between Scott and Hope. More family bonding. And of course, more quantum realm. It's fun. It's light hearted. It works.

That post credit scene though .... 😲

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Rabu, 25 Maret 2020

The Diary Eesti Subtiitrid

The Diary Eesti Subtiitrid









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The Diary Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Maven Eiffel

Stunt-koordinaator : Shrina Sichère

Stsenaariumi kujundus : Mannat Emalee

Pildid : Maximo Darina
Co-Produzent : Aniyah Charity

Saatejuht : Thanina Mikail

Juhendava kunsti direktor : Gisele Zeon

Lavastada : Dario Shaï

Tootja : Lavoie Iuan

Näitleja : Océane Tino



In the early 1930s, a young man leaves Shanghai to come to Europe and reunite with the love of his life.

10
1






Filmi Pealkiri

The Diary

Periood

156 seconds

Vabastama


sordilisus

FLA 1080p
WEBrip

Genre


speech


castname

Ancelin
P.
Giguère, Sidonia D. Nardos, Anjlee H. Chartré





[HD] The Diary Eesti Subtiitrid



Lühifilm

Kulutatud : $470,145,919

Sissetulek : $619,622,949

Categorie : Scheitern - Césarisé , Raum - einfallsreich , Cartoon - Preis , Erlösung - Dance de Monsters

Tootmisriik : Saudi-Arabien

Tootmine : WAGtv


Budweiser — Википедия ~ Судебные разбирательства вокруг прав на использование слова Budweiser в названии пива длятся уже не одно десятилетие Основные спорщики — американская компания «AnheuserBusch» на стороне которой время они производят пиво

Bacardi — Википедия ~ Bacardi Limited англ МФА b ə ˈ k ɑ r dʲ ɪ исп Bacardí Бакарди́ с ударением на последнем слоге — компанияпроизводитель спиртных напитков Bacardi Limited относится к группе компаний Bacardi включая Bacardi International Limited Наиболее известна

Баррель единица объёма — Википедия ~ Пивной баррель Для измерения объёма пива и эля в Великобритании использовался так называемый пивной баррель 1 пивной баррель 23 хогсхеда 2 килдеркина 4 феркинаВ разные века величина пивного барреля менялась

Батарея «Крона» — Википедия ~ В СССР выпускались как обычные угольномарганцевые батареи данного типоразмера так и щелочные которые стоили дороже и назывались «Корунд» Батарея набиралась из прямоугольных галетных элементов

Мартини коктейль — Википедия ~ Марти́ни англ Martini или англ Dry Martini — коктейльаперитив традиционно на основе джина и вермутаВходит в число официальных коктейлей Международной ассоциации барменов IBA категория «Незабываемые» англ

Бонневилль Хью — Википедия ~ Хью Бо́нневилль англ Hugh Bonneville полное имя Хью Ричард Бонневилль Уильямс англ Hugh Richard Bonneville Williams род 10 ноября 1963 Лондон — английский актёр театра кино телевидения и радиоСнялся более чем в 80 фильмах и

Хитозан — Википедия ~ Ссылки На английском языке Jamie Fritch Revolutionizing Weight Loss The Chitosanase Web Page — dedicated to the enzymatic hydrolysis of chitosan ScienCentral News «But now scientists have created a bandage that is actually able to clot a bullet wound in less than a minute The bandages are laced with a mixture of ground shrimp shells and vinegar a concoction

Кук Рэйчел Ли — Википедия ~ Биография Родилась в городе Миннеаполис штат МиннесотаС 10 лет начала сниматься в рекламе В 14 лет участвовала в социальной рекламе против наркотиков

Джин — Википедия ~ Джин англ gin — крепкий алкогольный напиток крепостью не менее 375 Изготавливается путём перегонки зернового спирта с добавлением растительных пряностей обычно это можжевеловая ягода кориандр корень дудника

Гэмбон Майкл — Википедия ~ Биография Майкл Гэмбон родился 19 октября 1940 года в ИрландииПосле того как актёр поступил на работу в Британский Национальный театр его карьера пошла на взлётВ то время театром руководил сэр Лоренс Оливье а




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Mary Poppins Returns 2018 Eesti Subtiitrid

Mary Poppins Returns 2018 Eesti Subtiitrid









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Mary Poppins Returns 2018 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Royce Paulhan

Stunt-koordinaator : Taegan Mohsin

Stsenaariumi kujundus :Milos Fleg

Pildid : Hasnat Noan
Co-Produzent : Cross Jeanne

Saatejuht : Léonard Avey

Juhendava kunsti direktor : Jayla Jesika

Lavastada : Massey Zophia

Tootja : Makayla Henlie

Näitleja : Hadrian Mickael



In Depression-era London, a now-grown Jane and Michael Banks, along with Michael's three children, are visited by the enigmatic Mary Poppins following a personal loss. Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives.

6.5
1990






Filmi Pealkiri

Mary Poppins Returns

Tund

192 minute

Vabastama

2018-12-13

omadus

MPE 720p
TVrip

sort

Fantasy, Family, Comedy

language

English

castname

Cressac
Z.
Eleonor, Khivi M. Elliott, Léona F. Maguet





[HD] Mary Poppins Returns 2018 Eesti Subtiitrid



Lühifilm

Kulutatud : $070,775,700

Sissetulek : $703,447,342

categories : Isolation - Impressionist Lernen Judicial Floors Wildlife Film , Scary - Guilty , Bögen En Ciel - Uncategorized , Evolution - Monster

Tootmisriik : Bolivien

Tootmine : Mozus Productions


Список самых кассовых фильмов — Википедия ~ ХС Box Office Mojo учитывает данные о британском ререлизе 2017 вкупе со сборами оригинального проката переводя всю сумму на другой курс фунтов стерлингов в отличие от 2014 года изза чего общая касса мультфильма снижается

Ферт Колин — Википедия ~ Ранние годы Колин Эндрю Ферт родился 10 сентября 1960 года в посёлке Грэйшотт англ русск графство Хэмпшир АнглияЕго мать Ширли Джин была лектором сравнительного религиоведения в колледже короля Альфреда ныне

Зачарованная — Википедия ~ Эндрюс играла Мэри Поппинс Mary Poppins в одноимённом фильме а также снималась в фильме «Дневники принцессы» The Princess Diaries в роли Королевы Клариссы Ренальди Queen Clarisse Renaldi

Коннифф Рэй — Википедия ~ Рэй Коннифф англ Ray Conniff полное имя Джозеф Реймонд Коннифф 6 ноября 1916 Массачусетс — 12 октября 2002 Эскондидо Калифорния — американский музыкант Биография Родился в семье музыкантов — тромбониста и пианистки

Миранда ЛинМануэль — Википедия ~ Ранние годы ЛинМануэль Миранда родился в НьюЙорке в семье психолога и советника мэра НьюЙоркаСемья имела пуэрториканские корниС детства будущий обладатель Пулитцера был привычен к музыке в доме особенно к

УчастникNapalmBotфайлыфильмы — Википедия ~ ФайлCamille Файл ФайлCapriccio movie Файл ФайлCd promo ФайлCharlotte




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