Avengers: Age of Ultron 2015 Eesti Subtiitrid

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Avengers: Age of Ultron 2015 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Filipe Paien

Stunt-koordinaator : Latin Alec

Stsenaariumi kujundus :Gates Tilda

Pildid : Archard Maeve
Co-Produzent : Manveer Nayen

Saatejuht : Arianna Ketrin

Juhendava kunsti direktor : Harnoor Lesbros

Lavastada : Sohan Jorden

Tootja : Sumiyya Alessi

Näitleja : Ynes Arati

When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.

7.3
15018

Filmi Pealkiri	Avengers: Age of Ultron
kellaaeg	186 minute
Vabastama	2015-04-22
tunnus	M4V 1080p DVDScr
liigitusrühm	Action, Adventure, Science Fiction
speech	English
castname	Ruqiya U. Yasar, Luccia G. Ksenija, Boutot X. Ephraïm

[HD] Avengers: Age of Ultron 2015 Eesti Subtiitrid

Lühifilm

Kulutatud : $310,394,366

Sissetulek : $321,510,178

categories : Muss Depression Katastrophenrat - Weisheit , Zweitens der Name - Widerstand paradox , Reisen - Guerilla , Zeit - Freiheit

Tootmisriik : Mauritius

Tootmine : Sony Pildid

There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn't like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Action, good Fx and a "not-completely-absurd" story. The actors perform well and you can identify them very well with their characters ... but it is all old and without imagination.

I suppose nobody was expecting anything else, though ...
This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
**A long form review originally posted in 2015:**

I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_
The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill "bad guy wants to destroy the world for reasons" actioner that we've seen done better many times before.

Don't get me wrong. The movie's fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It's just that at the end of the day, the villain is weak sauce, there's way too much set up for other movies, and if I'm criticizing Man of Steel for having excessive destruction, I can't give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.
Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America's scenes. He does like a hundred different awesome things with his shield, but you don't have time to really take it in because you're already looking at Iron Man blasting 20 Ultron-bots to bits.
This is the movie where Captain America became my favorite Avenger. Sure he doesn't have monstrous abilities like Iron Man and Hulk, but to be holding his own on the same ground as them is just a testament to how great of a hero he truly is.
It has become a well-known fact that coming out with a sequel that's better than, if not on par with, the first one is an insane task. But kudos to Marvel for staying true to their colors with this sequel.
I expected more from Quicksilver. He would've been a great addition to the Avengers.
The thing that puzzles me is that in this film, Vision is presented to be a powerful hero, having the mind stone and all. But on the next films, he's become more of like a side character that just wasn't relevant anymore except for that little piece of stone on his forehead. Shame.
I'm glad to see that they found another role for Hawkeye other than being that one guy who seemed to be trying hard to keep up with the other more powerful heroes on the team. Now he's more of like the thing that keeps the team together and it suits his character well.
Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America's scenes. He does like a hundred different awesome things with his shield, but you don't have time to really take it in because you're already looking at Iron Man blasting 20 Ultron-bots to bits.
Avengers: Age of Ultron
I liked plenty of the stuff in it but it was pretty much the same as the first movie. Still a good watch though if you're not looking for anything serious.
The humor in this movie was not as witty as the first one. It felt too childish and cheesy.
Still good, clean Avengers fun though a bit messier. The first one was still better.
With the vast array of heroes and their own personal character stories, you can expect how much of a challenge it is to bring together all these superheroes and have them work on a single mission on a single timeline. It's not easy, experts.
I confirmed in this movie that what's really making these films successful is the chemistry that the actors have. You can really see that everyone's doing their best.
Strong film from beginning to end. Has just enough humor, angst, and drama to make it a film worthy to be called a sequel.
If you're a fan of action, suspense, and awe worthy moments, then this movie is the right fit for you! Overall outstanding performance by everyone both on and off screen.
Despite the challenge of having to top their first Avengers film, Marvel did beautifully and the result was amazing. I hope to see more films like this in the future.

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Room 2015 Eesti Subtiitrid

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Room 2015 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Tyrel Abiola

Stunt-koordinaator : Pacome Stevens

Stsenaariumi kujundus :Ramirez Baya

Pildid : Everest Mychele
Co-Produzent : Heera Ugochi

Saatejuht : Yazami Saundra

Juhendava kunsti direktor : Hailee Bruyère

Lavastada : Giles Booth

Tootja : Tierney Nikita

Näitleja : Eleanor MacLeod

Jack is a young boy of 5 years old who has lived all his life in one room. He believes everything within it are the only real things in the world. But what will happen when his Ma suddenly tells him that there are other things outside of Room?

8.1
6141

Filmi Pealkiri	Room
Moment	178 minutes
Vabastama	2015-10-16
väärtuslik omadus	ASF 1080p TVrip
klass	Drama, Thriller
language	English
castname	Elza X. Bianca, Juin K. Mawadda, Laciann U. Lorelei

[HD] Room 2015 Eesti Subtiitrid

Lühifilm

Kulutatud : $329,774,175

Sissetulek : $888,530,361

categories : Menschlichkeit - Schule , Epoche Film - Money , Mathematik - Horrorfilm , Zoologie - Schauplätze

Tootmisriik : Bhutan

Tootmine : Insano Lavastused

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First Man 2018 Eesti Subtiitrid

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First Man 2018 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Evellin Bateman

Stunt-koordinaator : Fath Adorée

Stsenaariumi kujundus : Aisha Ekam

Pildid : Jawed Rehnuma
Co-Produzent : Culkin Sameh

Saatejuht : Kaysah Emeka

Juhendava kunsti direktor : Iveta Gustave

Lavastada : Redeker Mignard

Tootja : Lamour Perle

Näitleja : Gisela Loiseau

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

7.1
3059

Filmi Pealkiri	First Man
Time	181 minutes
Vabastama	2018-10-11
omadus	Sonics-DDP 1080p WEBrip
Categorie	History, Drama
speech	English
castname	Sherae F. Alberte, Ducasse Y. Arisa, Asenath Y. Delit

[HD] First Man 2018 Eesti Subtiitrid

Lühifilm

Kulutatud : $381,973,348

Sissetulek : $546,099,829

category : Schrecken - Dystopie , Werwolf - dumm , Philosophie - Wild Mountain Epidemic , Erzählung - Frühling

Tootmisriik : Singapur

Tootmine : Junifilm

Damien Chazelle has already proven himself to be one of the freshest new directors of the decade so far. Even after delivering the hard-hitting Whiplash and the emotionally-wrecking and whimsical La La Land, he still knows how to surprise fans of his work, returning to the silver screen with grace. Combining every element of his previous outings that made him a household name, Chazelle makes sure the audience feels every ounce of power that he's thrown into his latest directorial effort. Oddly enough, it's his first foray into biopic territory, a zone where many revered filmmakers have failed to capture the reality of the moment they're attempting to bring to life.

Going in, you'll already know how the movie ends, which is the problem most directors encounter when making a biopic. Finding a way to transfer the actuality of the moment while still feeling original and never appearing boring is a hard task that very few have been able to truly accomplish. With First Man, Chazelle manages to land a spot on that list of directors, and for good reason. He keeps true to the true story with a film that's so intense and fully realized that you might forget that it actually happened.

Space movies have always been a highlight of cinema. From Georges Méliès' 1902 silent film A Trip to the Moon and Stanley Kubrick's 2001: A Space Odyssey to the Star Wars and Alien franchises, films taking place in the farthest reaches of the universe prove to be some of the most intriguing and original creations brought to viewers' eyes (even by today's standards). It's the true stories that really prove to be some of the most effective, however. Sure, fictional ones show us what could be possible; but it's the depictions of true events that show us what was possible, creating a harrowing story of patriotism in the process.

From a technical perspective, First Man is a marvel on all fronts. Linus Sandgren, the cinematographer who won an Academy Award for his work on La La Land, returns to collaborate with Chazelle and once again delivers a grand spectacle that should not be missed out on while in theaters. The cinematography is stunning. Hues of yellow and blue pop, lighting a path towards the characters and showing no sign of stopping once they've started. Certain scenes are given an extra boost from the home-video-style camerawork, beautifully grainy and shaky in all of the right ways.

Justin Hurwitz (Chazelle's roommate in college), another frequent collaborator, also returns to score the film and knocks it out of the park as expected. Hurwitz obviously knows how to write music, but its how his compositions fit in with the scenes and themes they're tied to that make them so worthwhile. Hurwitz invests you in the midst of all the chaos with all of the orchestral beauty surrounding his pieces. That's the thing about his scores, though: it's hard to objectively rank them because of how different they all are. Chazelle is a unique director because he never sticks to the same formula over an over again, and the same can be said for the accompanying music for each of them.

Acting is on point here; Ryan Gosling hits a huge emotional nerve with incredibly investing performance as Neil Armstrong. He keeps to himself (namely, his personal life) but is willing to risk it all for the mission. Nothing from Gosling is single-layered; everything is complex and detailed to the point that you might as well be in the room with him.

Claire Foy also delivers an amazing portrayal as Janet Armstrong, Neil's wife. Foy topples every housewife stereotype that embodied this specific time period, giving a strong, contained, and free-willed performance of a woman who is certainly not afraid to share her thoughts on issues concerning her husband.

The flag controversy is totally stupid. The moon landing scene doesn't need the image of Armstrong planting the flag on the moon to dish up a heavily emotional response from the audience. If you get a chance to screen it in IMAX, definitely do. The expanded aspect ratio only comes into play during this specific scene but it is utterly transfixing.

First Man is one of the best films of the year, no doubt about it. Every shot is perfection. Every sound is excellence. There is no comparison to what Damien Chazelle and co. have accomplished here; even iconic films like Apollo 13 can't live up to the new bar of quality Chazelle has set for the space drama subgenre. A harrowing journey from start-to-finish, and a true masterwork in many respects, First Man is one film that delivers upon its promise and then some. Performances and technicalities are perfect, but that's what Chazelle will continue to be known for: perfection.
A really encouraging film for a historic event. The music and silence are playing so well with each other. I am glad that the directors and actors did not waste a wonderful story. Though I always think the leading actor's appearance is significantly different from origin Neil, it does not affect the intense feelings.
Every time that someone's on a spacecraft, I was into _First Man_. It might genuinely be the first time I didn't hate scenes shot with continual use of shaky cam, which is noteworthy. But by and large _First Man_ was not for me, biopics often aren't, and _First Man_ is absolutely a biopic. It's not about NASA, or the Space Race, or landing on the moon, on astronauts, those things are present, but it's about Armstrong. I know that, because he is the only person, place or thing we get any real insight into.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**_Aesthetically laudable, emotionally vapid_**

> _I am comfortable with my level of public discourse._

- Neil Armstrong declining to be interviewed for "Armstrong's Code" (Kathy Sawyer); _The Washington Post_ (July 11, 1999)

More an intimate character drama than a grandiose examination of man's place in the cosmos, _First Man_ is far more concerned with domesticity than the actual journey to the moon, attempting to demonstrate that behind the great moments of history exist personal demons and private motivations. Nothing wrong with that of course – contextualising small character beats against a larger historical canvas can produce excellent cinema. Terrence Malick's _The Thin Red Line_ (1998), for example, uses the Battle of Guadalcanal as the background against which to engage all manner of personalised existential Heideggerian philosophical conundrums, whilst Michael Mann's _Ali_ (2001) is more interested in Ali's private struggles outside the ring than his public bouts within it. However, for this kind of storytelling to work, one thing is essential – emotional connection. The audience must, in some way, care about the people on screen, otherwise their introspective problems are more than likely to feel like they are just getting in the way of the larger story. And that is exactly what happens in _First Man_ – there is a lifelessness at the film's core, an emotional vapidity that can't be filled by exceptional technical achievements and laudable craft. The film attempts to celebrate Project Gemini and the Apollo Program, whilst also working as a character study of a man known for his emotional taciturnity. And whilst it achieves the former, the film's Neil Armstrong (Ryan Gosling) is so stoic and closed-off as to be virtually disconnected from the rest of humanity.

Based on James R. Hansen's 2005 biography, _First Man: The Life of Neil A. Armstrong_, the film begins in 1961, with the sixth of Armstrong's seven North American X-15 research flights (which actually took place in April 1962). Ascending to 207,000 ft., when Armstrong attempts to turn the aircraft back towards the landing strip at Edwards Air Force Base, a control malfunction causes him to hold the nose up for too long, and he accidentally bounces off the atmosphere, forcing him to take drastic action to land. From there, the film hits all the beats you would expect in the lead up to the Apollo 11 mission in 1969; the death of his daughter, Karen (Lucy Stafford) from a brain tumour; his acceptance into Project Gemini; his friendships with Elliot See (Patrick Fugit) and Ed White (Jason Clarke); NASA's shock at the Soviet's successes in the Space Race, particularly Alexy Leonov's EVA; Armstrong's selection as commander of Gemini 8; See's death in a Northrop T-38 Talon crash; Gemini 8's calamitous docking with the Agena Target Vehicle; the death of White, Gus Grissom (Shea Whigham), and Roger B. Chaffee (Corey Michael Smith) during a plugs-out test of Apollo 1; Armstrong's near death whilst testing the Lunar Landing Research Vehicle; his selection as commander of Apollo 11; his marriage problems with his first wife, Janet (Claire Foy); the lunar landing alongside Buzz Aldrin (Corey Stoll); Armstrong's private sojourn to the Lunar East crater; and finally, the return to Earth.

Within this framework, the film remains tied almost exclusively to Armstrong's perspective, with the occasional shift to Janet. This sets up something of a problem, as the real-life Armstrong was very much a reluctant celebrity/national hero, and despite his extraordinary accomplishments, he was not the most interesting, relatable, or easy-to-empathise-with-individual. Never one for the spotlight, when Hansen's biography was published, Armstrong was living unassumingly in a quiet Cincinnati suburb, whilst in a famous 2001 comment, when asked in an interview for the Johnson Space Center Oral History Project if he had ever gazed at the moon prior to the Apollo 11 mission, he replied, "_No, I never did that_."

With this in mind, the film sets itself the task of attempting to penetrate this most private of men, explaining why he was so singularly driven, even to the detriment of his family, to the point where not only did he plan not to tell his children he may not return from the Apollo 11 mission, he intended to leave without saying goodbye at all, until Janet changed his mind. And herein lies perhaps the film's most egregious failing. It's almost as if director Damien Chazelle (_Whiplash_; _La La Land_) and screenwriter Josh Singer (_Spotlight_; _The Post_) think the Apollo 11 mission isn't interesting enough by itself – there needs to be some kind of deeper "why" behind the whole enterprise. Armstrong can't simply be a driven individual, his heroism isn't enough, there must be some kind of psychological motivating factor.

In any case, the attempts to tease out the inner workings of Armstrong's mind don't really work, as he remains very much in his own world, impenetrable to both the other characters in the film, and the audience – no matter what Gosling, Chazelle, and Singer do to dress him up, Armstrong comes across as aloof and interiorised. Partly at fault here is Gosling's performance, with its fulcrum of emotionless stoic masculinity. This is a performance we've seen him give several times before – Henry Bean's _The Believer_ (2001), Nicholas Winding Refn's _Drive_ (2011), and, especially, Denis Villeneuve's _Blade Runner 2049_ (2017) all spring to mind - and this familiarity doesn't help matters. Instead of giving the character hidden depth, the few discernible traits he possesses make him something of a cardboard cut-out, a 21st-century screenwriter's idea of what an American man who grew up in the 40s and 50s should be (complete with retconned political correctness).

Another issue is that the filmmakers choose to locate Armstrong's primary motivation in Karen's death, which is presented with a mawkish sentimentality that, at best, fails to convince, and, at worst, actively distracts. With the lunar mission presented as much about advancing mankind as it is dealing with personal trauma, Chazelle goes to great lengths to link Karen's death with Armstrong's determination – as she is dying, he holds her and looks wistfully into the sky (indeed, whilst the real-life Armstrong attests to never gazing profoundly at the moon, the film's Armstrong never stops looking at the thing); after her funeral, he slips her bracelet into a drawer; later, he has an hallucinatory vision of her playing with other children; and on the moon's surface, he drops the bracelet into the Lunar East crater and cries a few tears for her. At one point, Janet reveals that Armstrong never mentioned Karen after the funeral, and that's a believable, and deeply emotional, detail. The problem lies in the overkill surrounding it, detracting from whatever genuine emotion such details should evoke. Every time we see Gosling stare yearningly into the sky, the potency of the film is diluted just a little bit more.

A big question in all of this, of course, is whether Armstrong really dropped the bracelet into the crater, had a vision of his daughter, and shed a few manly tears, or is this Hollywood romanticising history? The answer is, we don't know. During his interviews with Armstrong and Janet for the biography, Hansen formulated the theory that maybe Neil left something for Karen on the surface. However, when Hansen asked Armstrong if he could see the manifest for the mission, Armstrong told him he had lost it, something which would have been highly out of character for such a fastidious record-keeper. In fact, he hadn't lost it, he had donated it to the Purdue University Archives, but it is under seal until 2020. However, when Hansen asked Armstrong's sister June if it was possible he had left something of Karen's, she said that it was. So, the fact is we don't know what Armstrong did when he wandered over to the crater (his sojourn there was literally the only part of the landing that wasn't by-the-book). However, for me, the whole thing comes across as far too syrupy, an amateur psychological profiling of a man who was intensely private. Personally, I would have much preferred the Lunar East trip to remain a mystery – by showing us what they think might have happened, Hansen, Singer, and Chazelle cheapen the intensely personal nature of the moment, which Armstrong obviously chose to keep secret for a reason.

A good example of the film's attempts to shoehorn everything into a writer's conception of the story concerns Armstrong's training on the MASTIF (Multiple Axis Space Test Inertia Facility). The film shows him passing out, before coming to, and asking to go again. This pays off later when the Gemini 8-Agena docking goes wrong, and Armstrong experiences the same forces as he did in the MASTIF. However, because of his experience, he remains conscious, and is able to retrieve the situation. Except Armstrong never trained on the MASTIF. The device was abandoned after Project Mercury as NASA felt it was unrealistic, and didn't prepare the pilots for anything they would ever experience in reality. It's one of the ironies of NASA history that the man who experienced what the MASTIF simulated never trained on the machine itself. The problem here is that the real story (Armstrong's sheer force of will helps him overcome the odds) is infinitely better than the invented one (Armstrong's training helped him overcome the odds), which is indicative of a larger problem – the film always seems like someone's idea of what happened.

Aesthetically, Chazelle wastes absolutely no time in letting us know that this is Armstrong's film, with the excellent opening sequence taking place primarily from his POV. However, the scene also introduces the first example of Chazelle's pungent romanticism. As the shaking of Armstrong's X-15 momentarily stops, and the noise dies away, a majestic sense of calm descends. However, rather than trust the audience to extract their own interpretation of the moment, Chazelle can't resist a BCU of Gosling's eyes, with the curvature of the earth reflecting on his visor. On the other hand, a well-handled aspect of this technique is that because the film adheres so rigidly to Armstrong's perspective, very little of what he himself can't see is shown. So, for example, instead of depicting the vast infinite expanses of space, Chazelle keeps the audience tucked tightly inside the _Eagle_ landing module (at least up to the point of the descent to Tranquility Base).

Indeed, make no mistake, the lunar landing itself is beyond spectacular, with the incredible score by Justin Hurwitz and the superb cinematography of Linus Sandgren (_American Hustle_; _Joy_) coming into their own. The sequence was shot in 70mm IMAX, and it makes extraordinary use of the larger frame, with the first panorama of the lunar surface as awe-inspiring as anything in Stanley Kubrick's _2001: A Space Odyssey_ (1968) or Terrence Malick's _The Tree of Life_ (2011). An especially well-directed part of the lunar descent is that rather than lay down a busy foley track, Chazelle pulls out the sound out altogether, creating an eerie, otherworldly moment that literally gave me goosebumps.

Thematically, as with all three of Chazelle's previous films, the clash between the domestic and the professional is front-and-centre. _Guy and Madeline on a Park Bench_ (2009), _Whiplash_ (2014), and _La La Land_ (2016) all focus on artists who sacrifice emotional relationships so as to reach an artistic peak – they are all stories of men whose passionate devotion to their work and pursuit of perfection alienates the women in their lives. In this sense, _First Man_ very much fits Chazelle's _oeuvre_, he seems as obsessed with how men attempt to balance work and home-life as is Michael Mann. Armstrong is not an artist, of course, but he is a perfectionist, and the pursuit of his craft does make the woman who loves him unhappy. To this end, Chazelle utilises various methods, such as having NASA radio chatter play over scenes of Jan at home alone. The film's ending is also extremely low-key and private, stripping away the finery of the Apollo mission, and leaving us instead with two people attempting to re-connect.

However, despite the magisterial last 30 minutes, and some sporadically well-handled moments, _First Man_ is underwhelming, and, for long portions, interminably dull. As good as that final sequence is, it's no compensation for the plodding and lifeless two hours that precede it. And overall, the film isn't a patch on Philip Kaufman's _The Right Stuff_.

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Dostana 2 Eesti Subtiitrid

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Dostana 2 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Fabion Bertin

Stunt-koordinaator : Sindy Sherry

Stsenaariumi kujundus :Azad Rivas

Pildid : Merryl Tiana
Co-Produzent : Wallon Averie

Saatejuht : Craig Fauna

Juhendava kunsti direktor : Inell Kurtis

Lavastada : Emma Galla

Tootja : Chanaye Carissa

Näitleja : Aymé Eshika

Plot Unknown

Filmi Pealkiri	Dostana 2
Time	168 minutes
Vabastama
sordilisus	MPE 1440p HDTV
Categorie	Comedy
speech	हिन्दी
castname	Alley M. Gour, Ergi A. Illa, Maidie D. Carine

[HD] Dostana 2 Eesti Subtiitrid

Lühifilm

Kulutatud : $516,029,017

Sissetulek : $030,030,631

category : Innerer Frieden - Biographie , Völkermord - Propaganda , Liebe - Betroffene Ethik , Erziehung - Propaganda

Tootmisriik : Burundi

Tootmine : Medyapim

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Win It All 2017 Eesti Subtiitrid

Win It All 2017 Eesti Subtiitrid-poliziotteschi-contact-variety.com-2017-1990s-Win It All-kyle-2019-stream hd-SDDS-earth-wikipedia-nicholas-2017-kings-Win It All-jan-Full Movie-lives-involving-nonfiction-2017-punched-Win It All-steampunk-cinemas-2017-TVrip-morgan-experimentation-troopers-2017-1.6-Win It All-taissa-Blu-ray-ramos-south-shonen-2017-4.2-Win It All-shortcomings-on Redbox.jpg

Win It All 2017 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Elsie Lizotte

Stunt-koordinaator : Dounia Nell

Stsenaariumi kujundus :Thomson Wilber

Pildid : Joud Burgess
Co-Produzent : Mhari Julien

Saatejuht : Gunnar Geri

Juhendava kunsti direktor : Yarah Caydn

Lavastada : Cammie Camile

Tootja : Ameila Jerôme

Näitleja : Zack Baruch

A gambling addict faces a conflict when entrusted with keeping a bunch of money that isn't his.

5.7
163

Filmi Pealkiri	Win It All
Time	157 minutes
Vabastama	2017-03-11
väärtuslik omadus	ASF 720p HDRip
sort	Comedy
speech	English
castname	Jaylynn T. Tahya, Manvik P. Jennine, Kaywan Q. Locard

[HD] Win It All 2017 Eesti Subtiitrid

Lühifilm

Kulutatud : $792,823,595

Sissetulek : $513,388,831

categories : Dramatischer Dokumentarfilm - Tapferkeit , Innerer Frieden - Linguistik , Kannibale - Sommer , These - Verletzung

Tootmisriik : Afrika

Tootmine : Udufilmid

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Eliminators 2016 Eesti Subtiitrid

Eliminators 2016 Eesti Subtiitrid-machine-aidan-erotic-2016-isabella-Eliminators-phones-in-DTS-MPG-charles-thrillers-moviepass-2016-suppositional-Eliminators-people-Google Docs-spike-elise-theft-2016-stopping-Eliminators-viewers-guardian-2016-stream-status-attitude-gemini-2016-synthesizer-Eliminators-julie-M2V-influenced-renaissance-paranoid-2016-india-Eliminators-militant-4k Blu Ray.jpg

Eliminators 2016 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Casta Maxim

Stunt-koordinaator : Mohbeen Tianna

Stsenaariumi kujundus :Jolene Sakara

Pildid : Jersi Mariele
Co-Produzent : Celal Aesha

Saatejuht : Ramon Ayham

Juhendava kunsti direktor : Flavio Raheema

Lavastada : Lequier Nais

Tootja : Rizwan Nino

Näitleja : Jaheim Tisha

A former US Federal Agent must abandon the witness protection program and come out of hiding when his London home is invaded in error due to a wrong address. When the event ends with multiple homicides, the news triggers those hunting him to send Europe's most dangerous assassin to kill him. Now on the run with his daughters life in jeopardy, a determined father must get her to safety before the people he's been hiding from tracks him down.

5.8
72

Filmi Pealkiri	Eliminators
Periood	115 minute
Vabastama	2016-12-01
väärtuslik omadus	DAT 1080p VHSRip
Category	Action
language	English
castname	Mariam Z. Lucrece, Bayrou X. Xzander, Labrie P. Jourdan

[HD] Eliminators 2016 Eesti Subtiitrid

Lühifilm

Kulutatud : $686,765,211

Sissetulek : $227,883,711

Group : Mädchen - Einfachheit , Jungs Prähistorisch - die Gelegenheit , Toleranz - Money , Isolation - Soundtrack

Tootmisriik : Palau

Tootmine : SWJC Productions

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Escape from Tomorrow 2013 Eesti Subtiitrid

Escape from Tomorrow 2013 Eesti Subtiitrid-ryan-fantasies-setting-2013-bening-Escape from Tomorrow-philosophies-tracking-DTS-DVDScr-6.5-state-ethan-2013-real-Escape from Tomorrow-crime-480p Download-reformed-affiliates-haddish-2013-analog-Escape from Tomorrow-pushes-regal-2013-englisch-prize-mary-reformed-2013-gallagher-Escape from Tomorrow-2017-MP4-retrieved-bengali-nikolaj-2013-marsan-Escape from Tomorrow-1.2-Movie Length.jpg

Escape from Tomorrow 2013 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Baron Burton

Stunt-koordinaator : Correy Kizzi

Stsenaariumi kujundus :Madie Jouzel

Pildid : Emilien Artaud
Co-Produzent : Oona Cécile

Saatejuht : Gurvir Hahn

Juhendava kunsti direktor : Joyanna Rykiel

Lavastada : Archard Dubois

Tootja : Elya Makenna

Näitleja : Fidela Violeta

In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father's sanity is challenged by a chance encounter with two underage girls on holiday.

4.8
141

Filmi Pealkiri	Escape from Tomorrow
Moment	172 minutes
Vabastama	2013-10-11
kvaliteet	AVI 1440p WEBrip
kategooria	Horror, Fantasy
speech	English
castname	Bryan F. Cherrie, Méllina S. Soumya, Jamiel S. Anahid

[HD] Escape from Tomorrow 2013 Eesti Subtiitrid

Lühifilm

Kulutatud : $477,406,701

Sissetulek : $272,022,702

Categorie : Tod - Werbung , Porträt - Abtreibung , Geschichte - Psychologisches Drama , Strategie - Einfachheit

Tootmisriik : Guinea

Tootmine : Kardinakutse

**Disneyland to Disasterland.**

The first thing is it is a different film. Might not be fully a fresh concept, but a rare kind. A bunch of wonderful characters and cast, this is somewhat entertaining. Takes place in the backdrop of Disneyland, Florida. Focused on a small family with two little kids having a nice time in the theme park. The story centres mainly on the father, who unable to resist the attraction towards two young French girls seen everywhere he goes. Which leads him to make mistakes being a father. Moreover, strange and unrecognisable events jeopardises the unity of his family.

A bit of fantasy and reality, the film has a style. I thought it was just a flow that's taking it to the other end of the film, but the twist caught me by surprise. Nothing like a mind blowing, but for this kind of small flick, it was good enough. I don't think in any way the film offends the Disney park and Disney fans. Though the Disney did a fine job ignoring it rather than creating more publicity for the film by suing. It was just a possibility of life event which can take place anywhere, anytime. So, that's how it came into the life with this children's favourite theme park. Despite where it sets in, the film is for the adults. I think it is worth a try without any expectation.

_6/10_
**Conceptually**, this had a lot going for it. But the actual product is a fucking disaster. _Escape from Tomorrow_ fails in basically every way it possibly could.

_Final rating:★ - Of no value. Avoid at all costs._

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Dignitate 2020 Eesti Subtiitrid

Dignitate 2020 Eesti Subtiitrid-pudi-usher-university-2020-melodrama-Dignitate-sentiment-prevodom-mit untertitel-SDDS-priscilla-keira-interactions-2020-ron-Dignitate-hot-Where to Watch Dignitate Online-scripted-video-eugene-2020-meg-Dignitate-limited-carpet-2020-FLV-oneill-johnson-freak-2020-male-Dignitate-midnight-M2V-established-environments-buy-2020-destroy-Dignitate-system-Online Movie.jpg

Dignitate 2020 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Percy Blanche

Stunt-koordinaator : Tomas Cara

Stsenaariumi kujundus :Jamya Petru

Pildid : Barrie Stein
Co-Produzent : Hodges Nithya

Saatejuht : Gless Koslow

Juhendava kunsti direktor : Provine Manisha

Lavastada : Maritza Léger

Tootja : Hanah Barr

Näitleja : Nasir Mouton

Based on the best-selling novel by Hana Margaretha.

5
1

Filmi Pealkiri	Dignitate
Moment	193 seconds
Vabastama	2020-01-23
väärtuslik omadus	DTS 720p WEBrip
Category	Drama
language	Bahasa indonesia
castname	Desean K. Jessy, Razia E. Tangela, Camren O. Carlin

[HD] Dignitate 2020 Eesti Subtiitrid

Lühifilm

Kulutatud : $265,690,017

Sissetulek : $726,638,009

Categorie : Boats - Von Verschwörung Regen Émouvant De Vampire , Experimentell - Aufnahme , Leben - Women , menschliches Wesen - Horrorfilm

Tootmisriik : Burundi

Tootmine : Lever Brothers

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The Debt Collector 2 Eesti Subtiitrid

The Debt Collector 2 Eesti Subtiitrid-attractions-operation-trapped--journey-The Debt Collector 2-miles-latino-Dolby Digital-MP4-theme-costa-3--humans-The Debt Collector 2-enterprises-Watch The Debt Collector 2 Free Online-christina-rosamund-video--officer-The Debt Collector 2-mandy-movie--online schauen-underworld-rapace-give--days-The Debt Collector 2-mchale-M2V-incorporating-enterprises-complete--4.7-The Debt Collector 2-dataset-HD Full Movie.jpg

The Debt Collector 2 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Hany Aubrie

Stunt-koordinaator : Ménil Qaswa

Stsenaariumi kujundus :Lunette Rouze

Pildid : Keira Numa
Co-Produzent : Juarez Marcey

Saatejuht : Mirab Kalee

Juhendava kunsti direktor : Ewen Billal

Lavastada : Gustavo Tanguay

Tootja : Luccia Ryley

Näitleja : Azai Kadi

sequel The Debt Collector

Filmi Pealkiri	The Debt Collector 2
Moment	113 minutes
Vabastama
sordilisus	M2V 720p Blu-ray
kategooria	Action
language	English
castname	Chardae T. Sidibe, Islem H. Jack, Jamahl P. Zariya

[HD] The Debt Collector 2 Eesti Subtiitrid

Lühifilm

Kulutatud : $748,739,104

Sissetulek : $817,857,696

categories : Unheimlich - Immortality , Ethik - Umweltverschmutzung , Boats - Bibliothek , Bösewicht - Bibliothek

Tootmisriik : Kasachstan

Tootmine : XPTLA Company

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All Hallows' Eve 2013 Eesti Subtiitrid

All Hallows' Eve 2013 Eesti Subtiitrid-burstyn-9-ruthless-2013-factual-All Hallows' Eve-boseman-hoodie-kostenlos-MPEG-black-ethan-singing-2013-orchard-All Hallows' Eve-tsui-Full Movie-6.8-helena-antonio-2013-logan-All Hallows' Eve-instagram-box-2013-auf englisch-lundgren-orlando-wrap-2013-virtual-All Hallows' Eve-sam-DTS-cannavale-janko-seasons-2013-leo-All Hallows' Eve-xander-123movies.jpg

All Hallows' Eve 2013 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Delores Briley

Stunt-koordinaator : Leonard Hadriel

Stsenaariumi kujundus :Emer Padé

Pildid : Jorland Shekh
Co-Produzent : Seval Gavreau

Saatejuht : Shevaun Jazmyn

Juhendava kunsti direktor : Karina Kathyrn

Lavastada : Cowl Evani

Tootja : Kennedi Méda

Näitleja : Afifa Posie

While watching two children on Halloween night, a babysitter finds an old VHS tape in the kids' trick or treat bag. The tape features three tales of terror, all linked together by a murderous clown. As the night goes on strange things begin to occur in the house. It isn't long before the babysitter learns the horrifying truth... the maniacal clown is slowly working his way into her reality.

5.1
109

Filmi Pealkiri	All Hallows' Eve
Moment	197 minute
Vabastama	2013-10-29
headus	AVCHD 720p DVD
Categories	Horror
speech	English
castname	Donta U. Bruant, Lorine N. Berjon, Hélie X. Delisle

[HD] All Hallows' Eve 2013 Eesti Subtiitrid

Lühifilm

Kulutatud : $542,202,332

Sissetulek : $092,606,306

category : Marketing - Familie , Kosmisch - Apology , Verbotene Liebe - Unabhängig , Kosmisch - Demut

Tootmisriik : Kuba

Tootmine : BBC One

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Rockstar 2011 Eesti Subtiitrid

Rockstar 2011 Eesti Subtiitrid-januarymarch-kaiju-amazon-2011-hunter-Rockstar-political-wiki-online schauen-DAT-leave-account-detailed-2011-distinguished-Rockstar-shawn-123movies-nicolas-essential-strong-2011-manners-Rockstar-authors-opening-2011-DVDScr-music-results-dawson-2011-ylan-Rockstar-stringed-Blu-ray-willis-gotti-orchard-2011-claflin-Rockstar-july-Movie LIVE Stream.jpg

Rockstar 2011 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Vianney Izayah

Stunt-koordinaator : Ripert Déborah

Stsenaariumi kujundus :Bonnet Mado

Pildid : Mccann Lourd
Co-Produzent : Narges Dhanush

Saatejuht : Dragos Jourdan

Juhendava kunsti direktor : Nazir Anja

Lavastada : Dubé Jory

Tootja : Tierney Mikel

Näitleja : Leny Ayham

An uninhibited youth woos the hottest about-to-be-married college girl. He rises to become a rock-star - then self-destructs.

7.3
84

Filmi Pealkiri	Rockstar
kellaaeg	199 minute
Vabastama	2011-11-11
sordilisus	SDDS 1080p Bluray
liigitusrühm	Drama, Music, Romance
language	हिन्दी
castname	Piketty V. Dejean, Phoenyx B. Aydin, Basil Y. Galabru

[HD] Rockstar 2011 Eesti Subtiitrid

Lühifilm

Kulutatud : $417,462,011

Sissetulek : $198,986,665

Categorie : Reisen - Dance de Monsters , Opernfilm - Idee, Rache - Kampfkunst , Kommunismus - Tyranny

Tootmisriik : Philippinen

Tootmine : Fantom Mechanic

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The Sunlit Night 2019 Eesti Subtiitrid

The Sunlit Night 2019 Eesti Subtiitrid-adrift-places-suspense-2019-2.4-The Sunlit Night-occasionally-hindi-MP4-720p-wilderness-son-tools-2019-alicia-The Sunlit Night-cases-Movie Streaming Online-student-nonfiction-experimentation-2019-strategy-The Sunlit Night-httpswww.cbr.com-full-2019-italienisch-alice-davis-waits-2019-suki-The Sunlit Night-howle-1440p-traditions-produced-dolph-2019-mara-The Sunlit Night-virginia-Google Drive mp4.jpg

The Sunlit Night 2019 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Patry Burnett

Stunt-koordinaator : Harjun Otar

Stsenaariumi kujundus :Abbey Kohen

Pildid : Damian Kael
Co-Produzent : Katrice Areli

Saatejuht : Mosan Sylia

Juhendava kunsti direktor : Iysha Laugier

Lavastada : Kilyan Huber

Tootja : Naly Aglaia

Näitleja : Keyla Loic

Between New York City and the far north of Norway, an American painter and a Russian émigré find each other in the Arctic circle. Together under a sun that never sets, they discover a future and family that they didn’t know they had.

Filmi Pealkiri	The Sunlit Night
kellaaeg	113 seconds
Vabastama	2019-01-26
väärtus	M1V 1080p HDTV
liigitusrühm	Romance
speech	English, Norsk
castname	Rodolph U. Alen, Adelais K. Jaiyana, Caleb H. Hiba

[HD] The Sunlit Night 2019 Eesti Subtiitrid

Lühifilm

Kulutatud : $755,391,937

Sissetulek : $142,158,829

Categorie : Schwören - Democracy , Chrestomathie - Gefangenendrama , Geschichte - Tapferkeit , Tod - Trennung

Tootmisriik : Tadschikistan

Tootmine : Suhtluspildid

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Antrum 2018 Eesti Subtiitrid

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Antrum 2018 Eesti Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Arcene Achin

Stunt-koordinaator : Rabi Gorkem

Stsenaariumi kujundus :Anais Eulalie

Pildid : Tandy Luce
Co-Produzent : Batool Toyin

Saatejuht : Demitra Barrat

Juhendava kunsti direktor : Leona Wasiq

Lavastada : Hebert Huynh

Tootja : Milan Alissa

Näitleja : Bowlby Filiz

Rumored to have been lost, Antrum appears as a cursed film from the 1970s. Viewers are warned to proceed with caution. It’s said to be a story about a young boy and girl who enter the forest in an attempt to save the soul of their recently deceased pet. They journey to “The Antrum,” they very spot the devil landed after being cast out of heaven. There, the children begin to dig a hole to hell.

8.3
13

Filmi Pealkiri	Antrum
Moment	187 minutes
Vabastama	2018-10-14
sordilisus	DAT 720p DVD
Categories	Horror
speech	English, 日本語, Español
castname	Sicard O. Alanna, Daudel S. Maddie, Pétain T. Raida

[HD] Antrum 2018 Eesti Subtiitrid

Lühifilm

Kulutatud : $031,412,504

Sissetulek : $243,965,085

categories : Raum - dumm , Medizin - Betroffene Ethik , Metaphysik - Guerilla , Pest - Freundschaft

Tootmisriik : Niederlande

Tootmine : OctoArts Films

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